Tuesday, 23 November 2010

National Short Story Week is here - now

What are you doing for National Short Story Week, UK writers?

Writing short stories or reading them? Both, I hope.

However you are planning to mark this exciting inaugural week of the short story, if you can make it to Hertfordshire on Thursday 25th November do come along to the Open Mic Night at The Goat public house in Sopwell Lane, St Albans.

The event is part of the National Short Story Week contribution of Verulam Writers' Circle. You'll find the full details on the VWC website, here.

Regrettably, unless you've already booked, you're too late to read, but please do come and listen.

The packed programme will include contributions from so many talented – and largely –published writers from VWC and  other local writers' groups that I can't possibly list them all here.

In fairness, I must inform you that there is a downside – there always is – in this case the downside is a reading from me. But please don't let that deter you. The readings are only three minutes each, so you can always slip out for a comfort break when my name is called.

See you there, I hope.

Good writing

Oscar

Thursday, 11 November 2010

Lest We Forget

The Colour of Love

Sleep on, George. Sleep through the storm, you always could, and so you shall this time. Remember how I used to wake you up to watch the lightning? You were never afraid of the bangs, not like me. We'd sit together wrapped in blankets watching hailstones dancing, rattling on the roof. You said, Tom, if you can count your fingers slow from flash to bang the thunder's one mile distant for each hand.

If it’s true, that one was close. Not even one finger that one. Too close. We'd best be getting back soon as dawn breaks and I can tell which way’s home.

It's like the old times, George, you and me in the dark, our heads pressed into the wet earth, hiding from the gamekeeper, a brace of rabbit in one hand and our little shotgun in the other. Do you recall the time he let loose with his 12-bore, and the shot whistled about our ears?

There's another of them bright moving lights, shooting stars you called them, floating through the fog and flashes. The wind has come back too, rushing overhead, and the hail dancing in the mud.

That wind. I'm thinking how we used to run through long grass, Ben barking at our heels. And the day we found him half-strangled by a rabbit snare. You held the gun to his head, said he wouldn’t feel no pain, if we loved him it was the kindest thing to do.

I carried him home, all blood and brains, and set him in the ground. Is that love, George?

When I look up the sky's a circle, not stretching on forever like it did when we were boys. Back then, you told me they've got names, all those little stars, and God lives up above, and He can see everything. Is that true, George? Did God see our father beat our mother ‘til the blood ran down her face, and me throwing him out in the lane like the animal he was?

They say God loves us, George. The priest says: This is the body of Christ; this is the blood of Christ. The blood of Christ. The love of God. Do you believe it? Does He really love us, even when we've done bad things?

I've something else to tell you while you sleep. Before we left I saw you in the meadow with Alice. I crept up when I heard her pretty voice, and watched you mount her like bull on cow. I saw the colour flow between her legs and stain the grass. I did a bad thing. Did God see me then, George? Will I really go blind?

You know me, George. I believe what you say. You told me our guns have names and I believed you. Yours has the same name as mine, Tom, brothers like us, you said. What was that name?  The side of a hill and where we keep chickens… Lee Enfield, that was it. But these Lee Enfields are heavier than our little shotgun.

The sky’s brightening. No more night to mask the bloody truth. Forgive me George. For I could not bear to see you suffer. You'll feel no more pain. Forgive me, God, for I did so love my little brother.

There's the first daylight shining on the crater rim. Head away from the light, you said, that's west, the direction of our lines.

Listen to that storm now. There must be a thousand gamekeepers on our tail this morning, George, all firing at once.

So it's over me shoulder you go, my pal; us both smothered in the colour of love, yours and mine. We'll be off home to Mother presently.

Ready!

Set!

And over the top we go, into the wind and the dancing hail.

I can see the wire.

We’re almost home, George.

Is it true, what you said? There's nothing to fear; you never hear the one that kills…


(Copyright 2010 Oscar Windsor-Smith)


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